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The Afrobeat/s Undercommons; Exploring the sociopolitical effect and impact of Fela Anikulapo-Kuti.

Exploring the sociopolitical effects and possibilities of the information undercommons which involves understanding how this concept influenced the power systems, knowledge production, and social organization in Nigeria.

Afrobeat is a musical genre created by the legendary Nigerian activist/musician Fela Anikulapo Kuti, Born Olufela Olusegun Oludotun Ransome-Kuti. Afrobeats is an umbrella term for popular music from West Africa and the diaspora that initially developed in Nigeria, Ghana, and the UK in the 2000s and 2010s.
Firstly, we start by unboxing the “undercommons” concept, as Stefano Harney and Fred Moten describe in their work “The Undercommons: Fugitive Planning & Black Study.” The Undercommons
refer to a space or network that exists beneath or outside the structures of institutionalized power and knowledge. Harney and Moten draw upon the metaphor of the undercommons to describe a realm of intellectual and social activity that operates in the margins, often in resistance to dominant systems of control.

Fela Kuti, often referred to as the ‘King of Afrobeat,’ profoundly influenced the development of the Afrobeats undercommons. His musical innovations, political activism, and uncompromising commitment to social justice continue to resonate within the Afrobeats genre and its associated cultural movements. Here’s how Fela Kuti’s influence intersects with the Afrobeat/s undercommons, a testament to his enduring legacy and the intrigue it sparks:

Political Consciousness and Activism: Fela Kuti’s music was deeply rooted in political consciousness and activism. He used his songs to protest the oppressive regimes in Nigeria and across Africa, addressing
issues such as corruption, government repression, and social inequality. Fela’s unapologetic critique of authority and his fearless advocacy for human rights inspired subsequent generations of Afrobeats artists
to use their music as a tool for social change within the undercommons. Fela registered a political party named the MOP (Movement
of the People).

Cultural Authenticity and Pan-Africanism: Fela Kuti’s music was steeped in African cultural traditions, incorporating elements of Afrobeat, highlife, jazz, and funk to create a unique and unmistakably African sound. This innovative style emerged as a result of his contact with Sandra Izadore, who was instrumental in Fela incorporating mainly funk and jazz with African percussions to birth what eventually became Afrobeat. His commitment to cultural authenticity and Pan-Africanism resonated with audiences in Africa and around the world, fostering a sense of pride and solidarity among African diaspora communities. This emphasis on cultural identity and solidarity remains a central tenet of the Afrobeats undercommons, serving as a source of empowerment and resistance against cultural imperialism.

Musical Innovation and Hybridity: Fela Kuti’s innovative approach to music-making challenged conventional boundaries and genres, blending diverse musical influences to create something entirely new. His fusion of traditional African rhythms with Western musical styles laid the foundation for the evolution of Afrobeats as a genre. In the undercommons, Fela’s spirit of experimentation and hybridity inspires artists to push the boundaries of genre and explore new sonic possibilities, keeping the music
fresh, dynamic, and relevant to contemporary audiences.

Defiance of Censorship and Repression: Fela Kuti faced intense government censorship and repression throughout his career due to his outspoken political views and revolutionary music. Despite numerous arrests, raids on his compound, and physical assaults, Fela remained defiant and continued to use his music as a form of resistance. His refusal to be silenced and his unwavering commitment to freedom of
expression serve as a powerful example for artists within the Afrobeats undercommons, reminding them of the importance of speaking truth to power and standing up for their beliefs. Fela was arrested about 200
times by various regimes.

Legacy of Cultural Legacy and Inspiration: Fela Kuti’s legacy looms large over the Afrobeats undercommons, providing inspiration and guidance for artists who follow in his footsteps. His enduring influence can be seen in the music, lyrics, and activism of contemporary Afrobeats artists, many of whom pay homage to Fela’s pioneering spirit and legacy of resistance. In this way, Fela Kuti’s influence continues to shape the trajectory of Afrobeats as a cultural movement and a force for social change within the undercommons.

In conclusion, the Afrobeats undercommons, deeply influenced by the revolutionary legacy of Fela Kuti, epitomizes a vibrant space of cultural rebellion and sociopolitical activism. It serves as a nexus where
music transcends mere entertainment, becoming a potent tool for challenging oppressive structures, fostering solidarity, and envisioning alternative social paradigms. Fela’s unwavering commitment to
speaking truth to power and his fusion of traditional African rhythms with global musical influences laid the foundation for this movement, inspiring subsequent generations of Afrobeats artists to continue his legacy of resistance and cultural pride.
Within the Afrobeats undercommons, artists forge connections across geographical and cultural divides, celebrating the richness and diversity of African heritage while confronting issues of corruption, inequality, and authoritarianism. This fusion of cultural authenticity, political consciousness, and musical innovation empowers marginalized voices, challenges hegemonic narratives, and fosters a sense of
collective identity and agency. As the Afrobeats undercommons continue to evolve, it stands as a testament to the enduring power of music as a catalyst for social change and a beacon of hope for a more
just and equitable world.



Kelechi Iwuagwu is a Data Analysis & Viz Candidate at the CUNY Graduate Center.

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